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{"id":6733205471385,"title":"Brahms: Violin Sonata in A Major, Op. 100","handle":"brahms-violin-sonata-in-a-major-op-100","description":"\u003ch4\u003eBrahms: Violin Sonata in A Major, Op. 100\u003c\/h4\u003e\n\u003cp id=\"b\"\u003eJohannes Brahms: The Works for one Instrument and Piano Johannes Brahms’\ncompositions for one instrument and piano have been standards in chamber music\nliterature ever since their inception. These works were written with specific\nperformers in mind and Brahms worked closely with them when refining the final\ntexts. Nevertheless, we rarely approach the music taking into consideration\nthe possibilities of the instruments for which Brahms wrote or the performing\npractices of the individual players who first performed these compositions,\nincluding Brahms himself. The New Urtext Editions Bärenreiter’s pioneering new\nscholarly-critical editions of Brahms’ works for one instrument and piano are\nedited by a team of musicologists who are also performers. They offer today’s\nmusicians not just a reliable musical text based on all known sources, but\nalso a comprehensive approach to the works, which aims to place them in their\nhistorical context and to elucidate the complex of meanings that the composer\nwished his notation to convey to performers. In addition to the musical text\nthese editions offer an informative Introduction laying out the genesis,\npublication history and reception of the works. At the same time there is a\ncomplete list of the sources, an explanation of the editorial procedures and a\nCritical Commentary. Also, each volume contains a detailed discussion of\nspecific performing practice issues raised by individual works. An integral\npart of Bärenreiter’s Brahms publication complex is a text booklet which\napproaches general performance practice issues of the 19th century with regard\nto e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore\nmusicians will find valuable information concerning vibrato, portamento and\nbowing. Last but not least characteristics of Brahms’ own piano playing as\nwell as that of his circle and contemporaries are discussed. The violin and\nviola sonata editions come not only with an Urtext part freed from all\neditorial\u003c\/p\u003e \n\n\n \u003cul class=\"a\"\u003e\n \u003cli\u003eEnglish, German\u003c\/li\u003e\n \u003cli\u003eString editions include an Urtext solo part and a second part with fingering as well as performance markings\u003c\/li\u003e\n \u003cli\u003eEach edition offers a preface on performance practice aspects pertaining to the respective works\u003c\/li\u003e\n \u003cli\u003eA separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms chamber music\u003c\/li\u003e\n \u003c\/ul\u003e","published_at":"2021-04-30T11:35:02+10:00","created_at":"2021-04-30T11:35:02+10:00","vendor":"Baerenreiter Verlag","type":"Conducting","tags":["m21"],"price":15000,"price_min":15000,"price_max":15000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39937143931033,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"B011O3GZGO","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Brahms: Violin Sonata in A Major, Op. 100","public_title":null,"options":["Default Title"],"price":15000,"weight":400,"compare_at_price":null,"inventory_management":null,"barcode":"BA9432","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/soundstores.net\/cdn\/shop\/products\/B011O3GZGO.jpg?v=1650709835","\/\/soundstores.net\/cdn\/shop\/products\/71W_2BzhWMPwL.jpg?v=1622257845","\/\/soundstores.net\/cdn\/shop\/products\/71YVZR5ab8L.jpg?v=1622257845","\/\/soundstores.net\/cdn\/shop\/products\/71JNXJ99ALL.jpg?v=1622257845"],"featured_image":"\/\/soundstores.net\/cdn\/shop\/products\/B011O3GZGO.jpg?v=1650709835","options":["Title"],"media":[{"alt":null,"id":26787767419033,"position":1,"preview_image":{"aspect_ratio":0.763,"height":1232,"width":940,"src":"\/\/soundstores.net\/cdn\/shop\/products\/B011O3GZGO.jpg?v=1650709835"},"aspect_ratio":0.763,"height":1232,"media_type":"image","src":"\/\/soundstores.net\/cdn\/shop\/products\/B011O3GZGO.jpg?v=1650709835","width":940},{"alt":null,"id":22261391425689,"position":2,"preview_image":{"aspect_ratio":0.784,"height":1199,"width":940,"src":"\/\/soundstores.net\/cdn\/shop\/products\/71W_2BzhWMPwL.jpg?v=1622257845"},"aspect_ratio":0.784,"height":1199,"media_type":"image","src":"\/\/soundstores.net\/cdn\/shop\/products\/71W_2BzhWMPwL.jpg?v=1622257845","width":940},{"alt":null,"id":22261391458457,"position":3,"preview_image":{"aspect_ratio":0.784,"height":1199,"width":940,"src":"\/\/soundstores.net\/cdn\/shop\/products\/71YVZR5ab8L.jpg?v=1622257845"},"aspect_ratio":0.784,"height":1199,"media_type":"image","src":"\/\/soundstores.net\/cdn\/shop\/products\/71YVZR5ab8L.jpg?v=1622257845","width":940},{"alt":null,"id":22261391491225,"position":4,"preview_image":{"aspect_ratio":0.784,"height":1199,"width":940,"src":"\/\/soundstores.net\/cdn\/shop\/products\/71JNXJ99ALL.jpg?v=1622257845"},"aspect_ratio":0.784,"height":1199,"media_type":"image","src":"\/\/soundstores.net\/cdn\/shop\/products\/71JNXJ99ALL.jpg?v=1622257845","width":940}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch4\u003eBrahms: Violin Sonata in A Major, Op. 100\u003c\/h4\u003e\n\u003cp id=\"b\"\u003eJohannes Brahms: The Works for one Instrument and Piano Johannes Brahms’\ncompositions for one instrument and piano have been standards in chamber music\nliterature ever since their inception. These works were written with specific\nperformers in mind and Brahms worked closely with them when refining the final\ntexts. Nevertheless, we rarely approach the music taking into consideration\nthe possibilities of the instruments for which Brahms wrote or the performing\npractices of the individual players who first performed these compositions,\nincluding Brahms himself. The New Urtext Editions Bärenreiter’s pioneering new\nscholarly-critical editions of Brahms’ works for one instrument and piano are\nedited by a team of musicologists who are also performers. They offer today’s\nmusicians not just a reliable musical text based on all known sources, but\nalso a comprehensive approach to the works, which aims to place them in their\nhistorical context and to elucidate the complex of meanings that the composer\nwished his notation to convey to performers. In addition to the musical text\nthese editions offer an informative Introduction laying out the genesis,\npublication history and reception of the works. At the same time there is a\ncomplete list of the sources, an explanation of the editorial procedures and a\nCritical Commentary. Also, each volume contains a detailed discussion of\nspecific performing practice issues raised by individual works. An integral\npart of Bärenreiter’s Brahms publication complex is a text booklet which\napproaches general performance practice issues of the 19th century with regard\nto e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore\nmusicians will find valuable information concerning vibrato, portamento and\nbowing. Last but not least characteristics of Brahms’ own piano playing as\nwell as that of his circle and contemporaries are discussed. The violin and\nviola sonata editions come not only with an Urtext part freed from all\neditorial\u003c\/p\u003e \n\n\n \u003cul class=\"a\"\u003e\n \u003cli\u003eEnglish, German\u003c\/li\u003e\n \u003cli\u003eString editions include an Urtext solo part and a second part with fingering as well as performance markings\u003c\/li\u003e\n \u003cli\u003eEach edition offers a preface on performance practice aspects pertaining to the respective works\u003c\/li\u003e\n \u003cli\u003eA separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms chamber music\u003c\/li\u003e\n \u003c\/ul\u003e"}
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Brahms: Violin Sonata in A Major, Op. 100

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Brahms: Violin Sonata in A Major, Op. 100

Johannes Brahms: The Works for one Instrument and Piano Johannes Brahms’ compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself. The New Urtext Editions Bärenreiter’s pioneering new scholarly-critical editions of Brahms’ works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today’s musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers. In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works. An integral part of Bärenreiter’s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms’ own piano playing as well as that of his circle and contemporaries are discussed. The violin and viola sonata editions come not only with an Urtext part freed from all editorial

  • English, German
  • String editions include an Urtext solo part and a second part with fingering as well as performance markings
  • Each edition offers a preface on performance practice aspects pertaining to the respective works
  • A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms chamber music

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