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It is necessary to increase the amplitude of the reed in order to obtain a sufficient volume in the low tone, and the cover is enlarged according to the amplitude of the reed, resulting in this unique form.\u003c\/li\u003e\n \u003cli\u003eThe point that is able to obtain a larger amplitude is the high airtightness due to high-precision machining. 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Diatonic Harmonica Manji M-20 - key of Low-Eb\u003c\/h4\u003e\n\u003cp id=\"b\"\u003e\u003c\/p\u003e \n\n\n \u003cul class=\"a\"\u003e\n \u003cli\u003eThe low tone series of the MANJI M-20 (hereinafter referred to as the Low key), which has been thought as a sound that attracts everyone who loves blues and rock, and has been praised by players all over the world.\u003c\/li\u003e\n \u003cli\u003eWhen playing a low-pitched melody in normal keys, 1st octave is used, but using Low keys its range corresponds to the 2nd octave, so it is possible to play with a stable sound without using bends.\u003c\/li\u003e\n \u003cli\u003eThe heavier chord sound will captivate you with the sensation like shaking the air.\u003c\/li\u003e\n \u003cli\u003eThe overhanging lower cover is proof of the loudness. It is necessary to increase the amplitude of the reed in order to obtain a sufficient volume in the low tone, and the cover is enlarged according to the amplitude of the reed, resulting in this unique form.\u003c\/li\u003e\n \u003cli\u003eThe point that is able to obtain a larger amplitude is the high airtightness due to high-precision machining. Since the airtightness is high and the air does not leak, the blown air directly reaches to the reed and it vibrates well.\u003c\/li\u003e\n \u003c\/ul\u003e"}

Suzuki Diatonic Harmonica Manji M-20 - key of Low-Eb

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Suzuki Diatonic Harmonica Manji M-20 - key of Low-Eb

  • The low tone series of the MANJI M-20 (hereinafter referred to as the Low key), which has been thought as a sound that attracts everyone who loves blues and rock, and has been praised by players all over the world.
  • When playing a low-pitched melody in normal keys, 1st octave is used, but using Low keys its range corresponds to the 2nd octave, so it is possible to play with a stable sound without using bends.
  • The heavier chord sound will captivate you with the sensation like shaking the air.
  • The overhanging lower cover is proof of the loudness. It is necessary to increase the amplitude of the reed in order to obtain a sufficient volume in the low tone, and the cover is enlarged according to the amplitude of the reed, resulting in this unique form.
  • The point that is able to obtain a larger amplitude is the high airtightness due to high-precision machining. Since the airtightness is high and the air does not leak, the blown air directly reaches to the reed and it vibrates well.

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