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{"id":8586818453657,"title":"80-20 Bass: Motown Style Grooves For Bass Guitar (How To Play Bass: Learning From James Jamerson)","handle":"80-20-bass-motown-style-grooves-for-bass-guitar-how-to-play-bass-learning-from-james-jamerson","description":"\u003ch3\u003e80-20 Bass: Motown Style Grooves For Bass Guitar (How To Play Bass: Learning From James Jamerson)\u003c\/h3\u003e\r\n\u003cp id=\"b\"\u003e\"The Answer To All Your Musical Questions Are Found In The Grooves Of Your\r\nRecord Collection.\" Billy Sheehan said that. And it’s true. Just about every\r\nmusical problem you will ever have has already been solved by the giants of\r\nbass whose shoulders we all stand on. Here’s some of the musical questions\r\nanswered in this Volume - all based on the pioneering bass playing of James\r\nJamerson:The implied chord sub method to create dynamic movement on one chord\r\nvamps (Groove 5).How to play a different harmonic idea on every beat of the\r\nbar (Grooves 8 and 17).Why “grooves” should be renamed \"fragments of genius\"\r\n(Introduction).Dynamic ideas for one chord vamps (Groove 9 and 20).Converting\r\nan 8th note R\u0026amp;B Groove Into A 16th Note Funk Rock Groove (Groove 11).A dynamic\r\nbut chromatic way to play from Dm7 to Em7 and back again (Groove 14).Creating\r\na practice exercise out of two ideas from a 6 bar ballad fragment (Groove\r\n17).How to play non static bass lines on slash chords (Grooves 4 and 15)\r\n.Eight different way for practicing a groove - but there are more\r\n(Introduction).Converting a groove to a swing 16th note feel groove (Groove\r\n3).How to create multiple chord connection exercises from one 4 bar fragment\r\n(Groove10).How to create 8th note based soul and rock lines from a 16th note\r\ngroove (Groove 16).Plus there are multiple examples of ideas like: an advanced\r\nindirect resolution only Jamerson used; minor chord ideas; ii-V7 ideas; I-vim\r\nideas; I-IV ideas; 16th note overlapping and more. Learn how to study\r\n\"fragments of genius\" now - and learn the multiple ways they can positively\r\nimpact your bass playing. Get Motown Style Grooves For Bass Guitar now. NOTE:\r\nto be added to the free, online version of this Volume, simply email a copy of\r\nyour Amazon invoice or Amazon order to and I'll add\r\nyou to the online version and email you log in details. The online version\r\nincludes over 100 streaming videos (each example filmed at two tempo levels\r\nand edited with picture in picture technology) and over 175 MP3 practice\r\ntracks to download. Please note: Amazon marketplace orders or orders from\r\nsecond hand book sellers do not qualify for the bonus, online version. 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And it’s true. Just about every\r\nmusical problem you will ever have has already been solved by the giants of\r\nbass whose shoulders we all stand on. Here’s some of the musical questions\r\nanswered in this Volume - all based on the pioneering bass playing of James\r\nJamerson:The implied chord sub method to create dynamic movement on one chord\r\nvamps (Groove 5).How to play a different harmonic idea on every beat of the\r\nbar (Grooves 8 and 17).Why “grooves” should be renamed \"fragments of genius\"\r\n(Introduction).Dynamic ideas for one chord vamps (Groove 9 and 20).Converting\r\nan 8th note R\u0026amp;B Groove Into A 16th Note Funk Rock Groove (Groove 11).A dynamic\r\nbut chromatic way to play from Dm7 to Em7 and back again (Groove 14).Creating\r\na practice exercise out of two ideas from a 6 bar ballad fragment (Groove\r\n17).How to play non static bass lines on slash chords (Grooves 4 and 15)\r\n.Eight different way for practicing a groove - but there are more\r\n(Introduction).Converting a groove to a swing 16th note feel groove (Groove\r\n3).How to create multiple chord connection exercises from one 4 bar fragment\r\n(Groove10).How to create 8th note based soul and rock lines from a 16th note\r\ngroove (Groove 16).Plus there are multiple examples of ideas like: an advanced\r\nindirect resolution only Jamerson used; minor chord ideas; ii-V7 ideas; I-vim\r\nideas; I-IV ideas; 16th note overlapping and more. Learn how to study\r\n\"fragments of genius\" now - and learn the multiple ways they can positively\r\nimpact your bass playing. Get Motown Style Grooves For Bass Guitar now. NOTE:\r\nto be added to the free, online version of this Volume, simply email a copy of\r\nyour Amazon invoice or Amazon order to and I'll add\r\nyou to the online version and email you log in details. The online version\r\nincludes over 100 streaming videos (each example filmed at two tempo levels\r\nand edited with picture in picture technology) and over 175 MP3 practice\r\ntracks to download. Please note: Amazon marketplace orders or orders from\r\nsecond hand book sellers do not qualify for the bonus, online version. Read\r\nmore\u003c\/p\u003e \r\n\r\n\u003ch3\u003eProduct Features\u003c\/h3\u003e\r\n \u003cul class=\"a\"\u003e\r\n \u003c\/ul\u003e"}

80-20 Bass: Motown Style Grooves For Bass Guitar (How To Play Bass: Learning From James Jamerson)

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80-20 Bass: Motown Style Grooves For Bass Guitar (How To Play Bass: Learning From James Jamerson)

"The Answer To All Your Musical Questions Are Found In The Grooves Of Your Record Collection." Billy Sheehan said that. And it’s true. Just about every musical problem you will ever have has already been solved by the giants of bass whose shoulders we all stand on. Here’s some of the musical questions answered in this Volume - all based on the pioneering bass playing of James Jamerson:The implied chord sub method to create dynamic movement on one chord vamps (Groove 5).How to play a different harmonic idea on every beat of the bar (Grooves 8 and 17).Why “grooves” should be renamed "fragments of genius" (Introduction).Dynamic ideas for one chord vamps (Groove 9 and 20).Converting an 8th note R&B Groove Into A 16th Note Funk Rock Groove (Groove 11).A dynamic but chromatic way to play from Dm7 to Em7 and back again (Groove 14).Creating a practice exercise out of two ideas from a 6 bar ballad fragment (Groove 17).How to play non static bass lines on slash chords (Grooves 4 and 15) .Eight different way for practicing a groove - but there are more (Introduction).Converting a groove to a swing 16th note feel groove (Groove 3).How to create multiple chord connection exercises from one 4 bar fragment (Groove10).How to create 8th note based soul and rock lines from a 16th note groove (Groove 16).Plus there are multiple examples of ideas like: an advanced indirect resolution only Jamerson used; minor chord ideas; ii-V7 ideas; I-vim ideas; I-IV ideas; 16th note overlapping and more. Learn how to study "fragments of genius" now - and learn the multiple ways they can positively impact your bass playing. Get Motown Style Grooves For Bass Guitar now. NOTE: to be added to the free, online version of this Volume, simply email a copy of your Amazon invoice or Amazon order to and I'll add you to the online version and email you log in details. The online version includes over 100 streaming videos (each example filmed at two tempo levels and edited with picture in picture technology) and over 175 MP3 practice tracks to download. Please note: Amazon marketplace orders or orders from second hand book sellers do not qualify for the bonus, online version. Read more

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